He made contact with the others, there must be a resistance, a government in exile. Someone must be out there, taking care of things. I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light. There must be a resistance, or where do all the criminals come from, on the television?–The Handmaid’s Tale by Margaret Atwood
What is the consciousness of guilt but the arena floor rushing up to meet the falling trapeze artist? Without it, a bullet becomes a tourist flying without responsibility through the air. The consciousness of guilt gives a scent to humanity, a threat of putrefaction, the ultimate cosmetic. Without the consciousness of guilt, existence had become so bland in Paradise that Eve welcomed the pungency of Original Sin.–The Manchurian Candidate by Richard Condon
Is that how we lived, then? But we lived as usual. Everyone does, most of the time. Whatever is going on is as usual. Even this is as usual, now.
We lived, as usual, by ignoring. Ignoring isn’t the same as ignorance, you have to work at it. Nothing changes instantaneously: in a gradually heating bathtub you’d be boiled to death before you knew it. There were stories in the newspapers, of course, corpses in ditches or the woods, bludgeoned to death or mutilated, interfered with, as they used to say, but they were about other women, and the men who did such things were other men. None of them were the men we knew. The newspaper stories were like dreams to us, bad dreams dreamt by others. How awful, we would say, and they were, but they were awful without being believable. They were too melodramatic, they had a dimension that was not the dimension of our lives. We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom. We lived in the gaps between the stories.–The Handmaid’s Tale by Margaret Atwood
“Mr. Mavole,” Raymond said rapidly, “I thought that if it was O.K. with you maybe I could stop over in St. Louis on my way to Washington, you know? I thought, I mean it occurred to me that you and Mrs. Mavole might get some kind of peace out of it, some kind of relief, if we talked a little bit. About Eddie. You know? I mean I thought that was the least I could do.” There was a silence. Then Mr. Mavole began to make a lot of slobbering sounds so Raymond said roughly that he would wire when he knew what flight he would be on and he hung up the phone and felt like an idiot. Like an angry man with a cane who pokes a hole through the floor of heaven and is scalded by the joy that pours down upon him, Raymond had a capacity for using satisfactions against himself.–The Manchurian Candidate by Richard Condon
A car returned, it seemed to him almost at once, and Jocie had fetched her father along because it would give him such a good feeling to know that all of those warnings about the snakes in those woods had been just. A man has few enough opportunities like that when he assists in the raising of children, who must be hoisted on the pulley of one’s experience every morning to the top of the pole for a view of life as extensive as that day’s emotional climate would bear, then lowered again at sundown to be folded up and made to rest, and carried into their dreams with reverence.–The Manchurian Candidate by Richard Condon
Sometimes I sing to myself, in my head; something lugubrious, mournful, Presbyterian:
Amazing grace, how sweet the sound
Could save a wretch like me,
Who once was lost, but now am found,
Was bound, but now am free.
I don’t know if the words are right. I can’t remember. Such songs are not sung anymore in public, especially the ones that use words like free. They are considered too dangerous. They belong to outlawed sects.–The Handmaid’s Tale by Margaret Atwood
Only dead people are allowed to have statues, but I have been given one while still alive. Already I am petrified.–The Testaments by Margaret Atwood
She doesn’t make speeches anymore. She has become speechless. She stays in her home, but it doesn’t seem to agree with her. How furious she must be, now that she’s been taken at her word.
She’s looking at the tulips. Her cane is beside her, on the grass. Her profile is towards me, I can see that in the quick sideways look I take at her as I go past. It wouldn’t do to stare. It’s no longer a flawless cut-paper profile, her face is sinking in upon itself, and I think of those towns built on underground rivers, where houses and whole streets disappear overnight, into sudden quagmires, or coal towns collapsing into the mines beneath them. Something like this must have happened to her, once she saw the true shape of things to come.–The Handmaid’s Tale by Margaret Atwood
They all cried. People can certainly carry on, he thought, holding her fat hand because she had asked him to, and feeling sure she was going to drop dead any minute. These were the people who let a war start, then they act surprised when their own son is killed. Mavole was a good enough kid. He certainly was a funny kid and with a sensational disposition but, what the hell, twenty thousand were dead out there so far on the American panel, plus the U.N. guys, and maybe sixty, eighty thousand more all shot up, and this fat broad seemed to think that Mavole was the only one who got it.-The Manchurian Candidate by Richard Condon