Zombies Are Better In Print

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This was an excellent novel. In fact, two books that I had requested through my local library came available while I was in the midst of reading this one – both had exceptionally long waiting lists and I needed to get through them both before the return date. Yet, I simply could not stop reading this book. Could. Not. Put. Down.

While the story is about zombies, the focus is on a viral outbreak that causes a world war. It reads like a science fiction war novel, not a horror story. There are plenty of exciting story lines, nail-biting adventures and descriptions of creepy undead, but the undead make up the background for the human stories that occur within the midst of a new-to-the-human-race mortal danger.

The structure is based around the idea that the fictional ‘author’ traveled the world interviewing people and gathering data about the zombies, the battles and the human element. The result is a collection of first-person accounts of a massively destructive biological event that was eventually put down through offensive attacks on millions (billions) of humans-turned-zombies.

The fact that the virus is spread through human negligence (officials refusing to believe data), fear (refugees and panic), criminal activities (illicit organ transplants) and predatory commerce (selling fake cures with FDA approval) is disturbingly logical. Nuclear attacks between countries and civil wars within nations are launched because communications system fail, key individuals are lost and the difficult fact that human nature tends toward both control and revenge (even when human extinction is a potential consequence).

The most frightening thing about this novel is the description of very real human reactions – and we do not come across as a particularly logical, kind or resilient species. In the end, the human race wins the war well enough to return to some semblance of a life, but…well…you’ll have to read the book. Suffice it to say that the zombies are not gone, just under control.

If you saw the movie, then be forewarned – the book describes a very different plot, new selection of characters and a drastically different take on the zombie-as-monster. Hollywood pretty much took the bones of the narrative (UN employee searching for an the source of the zombie plague by traveling around the world and interviewing people) and created a brand new version of the story.

Bottom line – it’s a good book (REALLY good book) and I highly recommend it.

World War Z: An Oral History of the Zombie War by Max Brooks

Top 3 Movies: Poverty and the ‘Noble Savage’

The ‘Noble Savage’ is a fictional character that portrays an innocent outsider untouched by the corruption of civilization.

In Hollywood, this generally produces a storyline that goes something like this: a respectable (usually white, well educated and rich) man loses his way in unknown territory and stumbles across a local (the savage) who helps him find his way home, usually after saving the respectable man’s physical life and assisting him in establishing a spiritual one. Then, upon returning home, the respectable man participates in the demise of the local and his or her entire family or village. Usually, the participation is accidental or the result of naiveté, which conveniently eliminates the potential long-term relationship between the respectable man and his new friend. It also presents an excellent opportunity for the Hollywood ‘Nooooooo!’ (done with great drama, tears, and a fall to the knees).

Here are my selections for the top three movies using homeless people or people in poverty in a classic ‘Noble Savage’ storyline:

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1) A Christmas Carol Is it possible to forget that moment when Scrooge is heartbroken over the possible death of Tiny Tim? Of course, between the help of otherworldly spirits and the benevolent poor surrounding the old man, Scrooge the miser finds his way home and becomes a very happy man.

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2) Down and Out in Beverly Hills A homeless man is taken in by super-wealthy Beverly Hills family and proceeds to fix all of the heartbreak, disappointment and self-destructive habits of his new benefactors. This movie does not have a ‘Noooooo!’ moment, but it does have a horrible scene where the homeless man insists that he is a ‘good homeless’ person because he likes being out on the street – most of the rest of them hate it and are, therefore, ‘bad’ homeless.

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3) The Fisher King I must admit that I actually like this movie because of the relationships between the main characters, but it remains in the top three for the following reasons:

  1. The two lead males are both respectable men who have lost their way (and their minds) due to a horrible tragedy.
  2. Both lead males interact with homeless people while lost and use those new relationships to find their way home.
  3. One character snubs a homeless ‘friend’ after regaining his rightful status as super-wealthy-powerful-famous-man and is unable to find this friend when he has a change of heart (say it with me: Nooooooo!).
  4. The other leading man is returned home (regains sanity) through the help of his new respectable friend and a woman who has fallen in love with him (another standard Hollywood scenario), thereby leaving behind the people he knew while homeless.

Those are my picks – what are yours?

(C) Adora Myers 2014